Showing posts with label usable past. Show all posts
Showing posts with label usable past. Show all posts

Sunday, December 5, 2010

Annotated Bibliography

The assignment from Dr. Logan:


Annotated bibliography of all secondary sources consulted.  An annotated bibliography uses MLA format and contains a brief 3-5 sentence description under each entry explaining the argument presented in that particular source.  As well, one of these sentences should state exactly how the source was/was not useful in developing your project/argument.  It’s fine to cite parts of critical books, such as particular chapters used/read.  Please include only scholarly academic sources.  The following link provides more information about annotated bibliographies, including sample entries.  Please note, that for this exercise, you will simply describe the argument and its use value for the project.  




[Submitted 5 December 2010]


Blecki, Catherine La Courreye, and Karin A. Wulf, eds.  Milcah Martha Moore's Book: a Commonplace Book from Revolutionary America.  University Park, PA: Pennsylvania State UP, 1997.  Print.
Moore’s commonplace book, a handwritten manuscript, resides in the Edward Wanton Smith Collection in the Quaker Collection Library at Haverford College; it is not available on microfiche.  The modern critical edition, edited by Blecki and Wulf, makes my project possible.  The careful transcription work, the extensive and exhaustive biographical, cultural, historical, and history of the book scholarship provides the backbone of my conference paper.  The strong emphasis on friendship and same-sex relationships encouraged me to explore and extend their argument by classifying these relationships as explicitly female homosocial, as well as operating on the lesbian continuum.


Blecki, Catherine La Courreye.  “Reading Moore’s Book: Manuscripts vs. Print Culture and the Development of Early American Literature.”  Milcah Martha Moore's Book: A Commonplace Book from Revolutionary America.  Ed. Catherine La Courreye Blecki and Karin A. Wulf.  University Park: Pennsylvania State UP, 1997.  59-106.  Print.
Blecki meticulously details the manuscript culture of Moore’s time, and the origins and use of the commonplace book genre by Moore and her contemporaries.  The role Moore played as editor, compiler and transcriber of MMMB is examined, revealing the careful and precise structure of the text.  Comparison of Moore’s commonplace book to her published Miscellanies, Moral and Instructive in terms of function and goals allows Blecki to claim that “Moore’s Book is her true literary and cultural success” (69).  The role and use of prose and poetry in MMMB are given equal attention by Blecki, and the theme of friendship in the entries is explored thoroughly, which I used for my project.   


Brayman, Hackel H., and Catherine E. Kelly.  Reading Women: Literacy, Authorship, and Culture in the Atlantic World, 1500—1800.  Philadelphia: U of Pennsylvania P, 2008.  Print. 
The introduction provided me with a concise summary of current (feminist) scholarship and its struggles concerning defining the woman reader, and her literacy (reading and writing).  Instead of searching for THE female writer, one should research and locate specificity rather than generalizations or idealizations.  They repeat the call to expand the “archive” of women’s writings by thinking creatively about sources and evidence (3).  The importance and necessity of a “transnational, transatlantic context” (6) is confirmed for those studying the early modern world.  The transatlantic context appears in MMMB, as Moore includes excerpts from Graeme Fergusson’s journal that she kept while traveling in England.  Moore herself is a transatlantic creature, born in Madeira and later relocated to Philadelphia, with family members on three different continents.   

Monday, November 15, 2010

Tweet, Tweet

The following articles came from my Twitter feed, and are posted in no particular order.


    • “That's a fabulous learning experience by any estimation, but the HASTAC way is to not just create new technologies but to think critically about those technologies, what they mean, how they apply to society or to individual rights and aspirations.   It is also important to transform creating and critiquing into pedagogical practice” (Davidson).
    • Just a quick reminder that the (technological) world apparently revolves around the United States, as illustrated by Australian and New Zealanders’ frustration over time lags for e-books.
    • I might have had to wipe the drool from my keyboard after reading through the panel descriptions.  And in the words of Liz Lemon, “I want to go to there.”


The following articles came from friends, Facebook, and my own web browsing.  These too are posted in no particular order.


    • To quote Battlestart Galactica, “All this has happened before, and it will happen again.”  That quote was running through my head as I read this article, which provoked a riot of emotions and to be honest, made me queasy.  The attitude of the fathers (and husbands) in this article immediately made me think of Cotton Mather, feme coverture, and the idealized motherhood of the republican mother from post-Revolutionary America.  This is not good, not good at all.    

Wednesday, September 22, 2010

Adventures in Technology

I thought that I would post some lessons I’ve learned during my interaction with Blogger, both in the past and with this current project.


  • Never, ever, ever compose your post in Blogger.  Always write up your post in Word (or whatever word processing program you use).  Blogger is very temperamental, and you could easily lose your entire post (see Serge for an unfortunate example).  Plus, you’ll want to have all your work stored in Word so you can send it to Dr. Logan if necessary, and to have for your own records.
  • After I’ve written up my post, I copy and paste the entire thing into Notepad.  This is because I want to erase the paragraph formatting that Word has imposed.  Things that are double spaced are difficult to read in the blog format, so by pasting it into Notepad, I can control it.  Just to note, Notepad will erase all your lists, bullets, underlines, bolds, and italics, so you will need to redo all these formats within the Blogger posting window.  You’ll also need to reinsert any links within the Blogger posting window.  This might seem like a lot of work and a pain in the ass, but I have found that it really pays off in terms of consistency.  Before pasting the text into the Blogger posting window, make sure you select your font (I use Arial, normal size) – this will apply that font to the text you’re pasting in.  Be sure to take advantage of the “Save Now” option in the posting window, which will save your draft.  You can also hit “Publish Now” and then “Edit Post” to re-do all the bold, italics, underlines, etc. if you think it will get messed up somehow.  
  • Be consistent in your design, spacing, font choice and color.  Switching between different styles will make your readers twitchy.  Pick a format and stick with it.
  • Contextualize your blog for your readers.  The easiest way to do this is to provide links to your classmates’ blogs.  Blogger makes providing this list very easy – there are gadgets for link lists, or blog lists that display all the blogs you currently follow.  In last night’s class discussion (21 September 2010) we talked about the way Theodore Dwight was reaching back into time, looking for a usable past and thinking he had found it with Madam Knight’s Journal.  Imagine that a hundred years from now, students and scholars stumbling upon your blog (hey, it could happen!).  Now, would you like to provide them with as much context as possible, so that your voice has a better chance of survival?  Or would you rather take your chances?   
  • I also take advantage of the Interests box on the Profile page.  If you add interests, then you’re included in the blog roll of all other blogs who share that interest – you’re joining the “ongoing conversation” regarding these topics.
  • Use the labels/tags gadget because it functions as an index for your blog.  It’s very easy to use and edit, and there are two display options available (list and cloud).  It also helped me because I could glance at the labels for each post, and remember what it was about without having to read through the entire post. 
  • Hack your blog to personalize it.  There are tons of resources on the web, such as Peter’s Blogger's Tips and Tricks, which helped me to add a favicon to my site, and to personalize my AddThis buttons.  But please note, always, always, always back up your template before making any changes.  You can also copy and paste your template (after hitting the expand page widgets button) into Notepad and save it that way.  
  • Chances are, you probably know someone who blogs or is familiar with html coding – take advantage of that.  I asked my friend Elena for help when I noticed all my images were showing up with a gray box despite having white backgrounds, something I thought happened because the image wasn’t transparent.  I asked her to reformat the picture (which, bless her heart, she did like 6 times) because I didn’t have the right programs to do so.  It turns out, that I was a moron, because my template preferences were set to add a gray border to all images (go to Design -> Template Designer -> Advanced Layout).  I figured this out at two o’clock in the morning when I finally Googled, “make my images appear with no border in Blogger” (or something like that) and up popped Peter’s website.  One of his posts explained that sometimes the default setting is for visible borders on all images.  He is an incredible resource, especially if you know only a little about html and Blogger.


I’m pretty willing to admit when I’ve made a mistake (the border on the images), or to share cool stuff I’ve found (these icons are amazing!), so expect more tidbits throughout the semester.  Similarly, if you’ve experienced problems with Blogger or have found ways to fix issues, please share with the rest of us.  

Tuesday, September 21, 2010

Spare Thoughts: 2

Question:  How and why did you make decisions about your blog appearance?  What ambitions do you have for it?  What reservations?  What is at stake in fashioning oneself as a public intellectual in this way?  What possible connections can we make between the study of early American literature and contemporary culture?  

Answer:  I have the advantage of previously completing (and surviving) the semester long research project designed by Dr. Logan with last year’s class, LIT6009: American Novel and National Identity—Romanticism and Imperialism (Spring 2009).  So, I am relatively familiar with Blogger thanks to creating Conduct Yourself and feel comfortable with the idea of exposing myself, my research process, and my final academic product online.  With Conduct Yourself, I chose a relatively neutral color palate of beiges, greens and browns to present an aura of professionalism, and only rarely strayed off topic.  

I decided, with this current project, I wanted something completely different, and that I needed to improve and exceed my previous work.  Despite less than a year in between the projects, Blogger has changed and updated their templates, design, and posting tools, which allows for more flexibility and personalization of standard templates.  My entire research project hinges on the ideas of the female homosocial, the lesbian continuum, and the search for a usable past, so I figured I could allow my blog to have more personality this time around.  I chose a template that features a brightly colored watercolor painting, with rather indistinct shapes – they could be random blobs or perhaps flowers, who knows.  I liked the ambiguity of it, to be honest.  

To balance the tones of red, pink, and bright orange, I kept the side tabs, date tabs, and pages’ tabs a dark gray/black (but transparent).  I adjusted some of the color options for the text (kept it black on the posts for readability) to match the colors in the background image.  
I think the blog reflects some of my own personality, which in my Welcome post, I mentioned will be a key part of this research project.  I also recently discovered icons that I really like, including the flourish that now adorns most posts, echoing the flourishes Moore used in her book.


Monday, September 20, 2010

Just a Girl

In 1995, MTV started playing No Doubt’s video for Just a Girl.  I was fourteen years old.  I think they played it a lot really late at night, after midnight or so, which was fine because I would usually stay up to read.  The video, I think, both compelled and confused me.  It was weird – who was this blonde chick bouncing around all over my screen?  Why is she doing push-ups?  Why is she stuck in that hotel room by herself and where did all those other people come from?  She’s wearing super girly makeup, but she could probably beat the crap out of anyone, boy or girl.  This uneasy mixture of femininity and masculinity that, at the time, was completely foreign to me.  And then there were the lyrics.  Sarcastic and ironic, the lyrics struck a chord with me.  


Let’s take a look:
Take this pink ribbon off my eyes
I'm exposed, and it's no big surprise
Don't you think I know exactly where I stand?
This world is forcing me to hold your hand


'Cause I'm just a girl, a little ol' me
Well, don't let me out of your sight
Oh, I'm just a girl, all pretty and petite
So don't let me have any rights
Oh, I've had it up to here


The moment that I step outside
So many reasons for me to run and hide
I can't do the little things I hold so dear
'Cause it's all those little things that I fear


'Cause I'm just a girl, I'd rather not be
'Cause they won't let me drive late at night
Oh, I'm just a girl, guess I'm some kind of freak
'Cause they all sit and stare with their eyes


Oh, I'm just a girl, take a good look at me
Just your typical prototype
Oh, I've had it up to here
Oh, am I making myself clear?


I'm just a girl, I'm just a girl in the world
That's all that you'll let me be


Oh, I'm just a girl living in captivity
Your rule of thumb make me worrisome
Oh, I'm just a girl, what's my destiny?
What I've succumbed to is making me numb


Oh, I'm just a girl, my apologies
What I've become is so burdensome
Oh, I'm just a girl, lucky me
Twiddle Dum, there's no comparison


Oh, I've had it up to
Oh, I've had it up to
Oh, I've had it up to here 


Okay, so the lyrics aren’t Shakespeare, but they’re catchy, right?  And clever, in my opinion.  And my fourteen year old self agreed because every time the video came on MTV, I would stop reading my book, and watch, almost helplessly.  What would it be like, I wondered, to be that girl in the video?  And trust me, I wanted to be the girl in the video.  Because despite the claim of “cause I'm just a girl, a little ol' me,” Stefani dominates the video, her face and body literally taking up the entire frame for some shots.  She is powerful and strong, and beautiful. 


So why am I writing about Gwen Stefani, No Doubt, and Just a Girl?  Well, the song came up on my iPod the other day and it reminded me of the video, and the lyrics made me think of Dr. Logan’s class and unruly women.  And Stefani, in this video, was unruly in the eyes of my younger self, and that made her awesome.  Brief tangent – am I the only one who can’t turn their brain off, and just enjoy music, books, TV and movies without automatically performing critical analysis?  Do you think students in other majors have the same problem?  Anyways, I decided to look up the video on No Doubt’s website and watch it, since it has been a really long time since I’ve seen it.  I’m embedding it below, in addition to a fan-based version of No Doubt that is incredibly fascinating, especially when you notice how many men appear, and how some are in drag.

Enjoy. 





Lyrics from ELyrics.net (beware of pop-ups if you click that link).

Monday, September 6, 2010

Welcome

Welcome to my research blog, Bonds of Intimacy.  This is my second experience using Blogger to record and make public the process of a semester long research project that culminates in a conference paper and presentation.  My first experience is visible here, at my blog Conduct Yourself.  Feel free to explore my previous work, both Conduct Yourself and the wiki-styled page I created with three other classmates, Geography of Milton’s Paradise Lost.  See my bio for more details about the classes and professors. 

Because this project encourages us to record the process, this blog will not be perfect.  The components of the research project posted will be the copies I submitted to Dr. Logan for a grade – not corrected copies.  Sometimes I will be right, but more often (probably) I will be wrong.  But that’s okay.  What is important is that I learn with each assignment, expanding my base of knowledge.  It will be messy, even chaotic at times.  You will learn how nerdy I am, that my social life (what little there is to begin with) will take a backseat to this project because I get severe tunnel vision, and that if I forget to bring a sweatshirt to the fourth floor of the UCF Library, I will complain about the cold and how it makes my nose drip.  In short, the life of an English literature graduate student is decidedly unsexy.  But that’s okay too.

This blog, by its very nature, will be a strange, and perhaps uneasy, combination of academic product and personal reflections.  I am in a way, taking my cue from Anne G. Myles, whose article "From Monster to Martyr: Re-Presenting Mary Dyer" we read for our second class.  In her article, she states, “My approach to, and need for, this material is obviously informed by the fact that I encounter it as both a Quaker and lesbian reader looking for a usable past; however, these seem to me powerful, challenging dimensions in any context” (18).  The material she references is the relationship between Anne Hutchinson and Mary Dyer, and it is Myles’s hope that it can be categorized as a “’lesbian’ scene in seventeenth-century America” (18) – as based on the idea of the lesbian continuum¹.  

It is this article, and specifically the class discussion we had concerning this claim of a lesbian scene, that birthed (pun intended) my thesis: that the commonplace book Milcah Martha Moore created is a physical representation of her love for her friends, and their love for her.  That these women belong somewhere on the lesbian continuum, I am sure.  I am risking my entire research project on this claim because in a way, despite being neither a Quaker nor a lesbian such as Myles, I too am looking for a usable past.  I want to believe that despite the political, social, economical, religious, and legal restrictions women faced in seventeenth- and eighteenth-century America, they could in fact, rely on each other.  It is important to me to believe they could turn to each other for love (sexual or non-sexual), comfort, support, affection, advice, and friendship to form intimate bonds, both in spite of and despite the men involved in their lives.     

Feel free to explore my blog, and especially feel free to comment on its design and content (what little there is so far).  I hope my enthusiasm for this project is contagious, and that you, my readers, stick around until the conclusion.
¹The lesbian continuum, as Dr. Logan explained in class, is like a sliding scale.  On the one end, you have women who are friends with women, and at the other, women who have sex with other women.  I must admit that is the extent of my knowledge on this theory, so of course, I have more research to do.



Works Cited:
Myles, Anne G.  “From Monster to Martyr.”  Early American Literature 36.1 (2001):  1-30. JSTOR.  Web. 24 August 2010.